Friday, September 24, 2010

Super Fly T.N.T.

1973 - Paramount Pictures
Directed By Ron O'Neal


SYNOPSIS

Former New York drug dealer Priest (Ron O'Neal) is now living the high life in Italy. His only cares are his girl (Sheila Frazier) his drug habit and his weekly poker game. Priest learns of an oppressive government in a small African nation and is convinced to help the helpless citizens. While helping smuggle in arms for the people, he is captured by the government.

MY THOUGHTS

As a fan of the blaxploitation genre, I found the original Super Fly (despite its AMAZING soundtrack) to be a very lackluster film. Super Fly T.N.T. is worse.
The Priest character is an anti-hero... yet anti-heroes possess some admirable traits. Priest does not. He's a pusher and junky working for the mob with a bad attitude. In the sequel, he does NOTHING with his time before being called into service.

TNT is remarkably similar to the second Shaft sequel Shaft In Africa, released the same year. Both feature their titular character being thrust into action in Africa. While Shaft In Africa is a passable action film, Super Fly T.N.T. is horrible.

The film was directed by star, Ron O'Neal and shot in Italy and Africa, yet you would never know it. When you have the opportunity to film on-location you can show off your surroundings, it adds so much to the film's realism. O'Neal doesn't do this at all. It could have been shot on a studio back lot for the same effect he goes for here. At many points, the film is so dark, you cannot see what is going on. This is especially evident when Priest is captured and is planning his escape in his cell. O'Neal is a very sub-par director and would only helm one other film.

Alex Haley wrote the screenplay. The author of Roots is more than a competent writer, so its a wonder how this script was such a muddled mess. The beginning of the film contains some finely written scenes like Priest and his girl going to dinner with Robert Guillaume and his date. The dialogue seems like real life and the film briefly comes alive. Once the scene is over, Guillaume's character and his date disappear from the rest of the film. This and the establishing poker match add little to the plot. The pivotal character of Dr. Sonko (Roscoe Lee Browne) is introduced early on, but we don't find out what he's all about until Priest does... 30 minutes into the film.
That first half hour is completely lacking any action or drama... or even a point. Apart from the dinner scene, it drags on at a snail's pace.

The middle of the film also lacks little action or drama until Priest is captured and tortured.

The film ends abruptly. Priest escapes capture and makes it back to Italy. We never find out if Priest's sacrifices helped at all. Did the weapons made it to the people? If they did, did the weapons help at all to overthrow the government?
Plus, Priest entered the African nation without a passport, yet was able to fly back on an airline. He might have received help from Sonko... but who knows.

I wonder if the filmmakers ran out of money and didn't film a chunk of the screenplay, resulting in this crap fest.

Super Fly T.N.T. is probably best remembered by being name-dropped in Pulp Fiction. Samuel L. Jackson's Jules proclaims "Every time my fingers touch brain I'm Super Fly T.N.T., I'm the Guns Of The Navarone." Why would he insult himself like that?

The film is not available on DVD.

It! The Terror From Beyond Space

1958
Directed By Edward L. Cahn


SYNOPSIS

A rocket arrives to rescue the survivors of the doomed first mission to Mars. No one believes the sole survivor, Carruthers (Marshall Thompson,) that his 9 crew mates were killed by a monster. He is to be shipped back to Earth to stand trial for their murder. One crew member after another disappears and they are forced to believe the monster is real and aboard their ship!

 MY THOUGHTS

A very entertaining and (at times) tense thriller
'It' plays disturbingly similar to Ridley Scott's Alien, just without the overwhelming claustrophobic atmosphere (or positive female roles.) The film does have some genuine tension which is rare for a 50's monster film.
The film is also reminiscent of the 1951 version of The Thing, just set in space. The human characters are all scientists battling an alien creature. The actors portraying them are uniformly wooden in both movies. The bland acting didn't hurt The Thing and it doesn't hurt It. Also coincidentally, the monsters were both played by cowboys. James Arness played The Thing and here Ray "Crash" Corrigan is It.

The monster suit could pass for a less cool-looking relative of the Creature From The Black Lagoon. Thankfully, the director wisely kept the creature in the shadows for most of the film. 'It' is certainly more menacing and creepy that way.

The script was able to keep create an intelligent film that is not hindered by its low budget. The action essentially takes place on only two sets. (Each level of the ship is merely the same set redressed.)

Despite the smart screenplay, there are a few glaring science errors that probably went over the heads of a 1950's audience that really stick out today.
It's noted the monster breathes oxygen... so what was it doing on oxygen-free Mars?
You're in a fragile space ship, so why are you firing guns and setting off grenades? The ship must have a good ventilation system to soak up all the explosive and cigarette smoke to keep the crew from dying of smoke inhalation. These are only the tip of the iceberg...

So if you just kick up your feet and turn off your brain you will certainly enjoy this classic monster flick.

The Big Return

Blues In The Night is back after ANOTHER lengthy outage, thanks to AT+T. More BRAND NEW reviews are on their way. Please stay tuned!
Thanks,
Andrew